特种部队:毁尸灭尽
Kevin Tanski,Robert Woodley,Chris Clark,Will Mutka,Mike Sarcinelli,Kahley Cuff,Rick Primerano,Patrick Mallette,Salvatore Sabia,Gary Sundown,Daniel James,Artimus Pyle,Ashlee Amoia,Aleksandar Ivicic,Darrin Stock
没有通天本领也能踏上取经路?小猪妖决定离开浪浪山,和蛤蟆精、黄鼠狼精、猩猩怪组团取经。西行路上,小妖怪们将遇到怎样的考验?最终他们又能否实现心愿,活成自己喜欢的样子?
▶ 立即观看林赛·安德森
王好为
米开朗基罗·安东尼奥尼
路学长
赫尔措格
尔冬什
未来世界科技高度发达,星际旅行不再是梦想。在木星和土星之间曾有一个繁荣一时的空间殖民地“涡潮”,从地球专门有一条名为246666号公路的银河街道通往殖民地。不过在通车150年后,银河街道渐渐衰落,面临废除的命运。在这条路上,有一条小小的汉堡店,由极度热爱汉堡的店长诺亚(香取慎吾 饰)和妻子诺厄(绫濑遥 饰)共同经营。最近,诺亚怀疑妻子有外遇,为此忧心忡忡。这一天,诺亚的旧爱(优香 饰)带着怪异的丈夫(梶原善 饰)出现,让诺厄心中升起不安。与此同时,形形色色的人等相继来到店里,有的渴望来一次太空艳遇,有的决定吐露心中的秘密,有的执着追求诺厄,有的则被奇怪的幻觉困扰。 在这条被许多人渐渐遗忘的街道上,可爱的故事交替上演……
由克里斯(Titus De Voogdt 饰)和皮特(Stef Aerts 饰)带队并由数名十几岁的男孩组成的童子军即将前往靠近法国边境的某座森林里露营,出发前他向孩子们讲述了一个可怕的传说,据说森林里有一种被称为“凯”的半人半兽怪物肆虐横行,当地人闻风丧胆。它的模样如同人狼,凡是被它咬过的人都会受到感染变成人狼。孩子们群情激昂,决心痛揍人狼,随后跟随克里斯坐上卡车出发。阳光明媚的时节,孩子们在露营地快乐玩耍,不过并不受众人待见的小男孩萨姆(Maurice Luijten 饰)似乎格外在意“凯”的存在,他在挖洞时声称一度看到“凯”的身影,随后更在营地附近发现一处神秘的巢穴。 夜幕降临,可怕的身影悄悄向营地接近,萨姆的命运发生彻底改变……
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.